CIVIC ART BUREAU

ARCHIVE TEMPLATE: Author: Adam Bell

Liz Coats: LIGHT IN MIND

Tapestry 8 1978, acrylic on linen, 91 x 91 cm 3.10.25 – 26.10.25 Liz Coats: Light in Mind opening celebration 3pm Saturday 11 October at Civic Art Bureau, Canberra City. Light in Mind presents a selection of Liz Coats’ paintings on canvas, glass, paper and board, from series completed between the 1970s and the present. In this solo Liz Coats: LIGHT IN MIND

PAPER + PRINT

5.9.25 – 28.9.25Curated by Adam Bell Catalogue of works [PDF] Surya BajracharyaMild poison 2025Lithograph, 56 × 76 cm Group show of prints and works on paper at Cvic Art Bureau featuring more than 30 artists, including Alison Alder, Surya Bajracharya, Bronte Bell, Julie Bradley, Zoe Brand, Diedre Brollo, Byrd, Elaine Camlin, Lynne Flemons, Caren Florance, PAPER + PRINT

ICONOLOGY: New Faces

6.12.25 – 11.1.26Curated by Mark Bayly Bea Maddock, “Male III”, 1967. Woodcut ‘New Faces’ was an Australian talent show that ran on television from 1963 to 1985. The program was an energetic, low-brow combination of all-dancing, all singing form of exhibitionism that rated well with peak hour viewers and advertisers alike. The works in this ICONOLOGY: New Faces

HOT, COLD, HEAVY, LIGHT

2.8.25 – 31.8.25 Jacqueline Bradley, Rosalind Lemoh, Merryn Lloyd, Dionisia Salas Artists talk with Anne-Marie Jean Saturday 30 August 2025 Exhibition catalogue with essay by Camilla Wagstaff [PDF] Hot, Cold, Heavy, Light is an exhibition of recent works from Dionisia Salas, Rosalind Lemoh, Merryn Lloyd and Jacqueline Bradley. Intimate in scale, their works capture bodily HOT, COLD, HEAVY, LIGHT

M16 x CAB 40th Anniversary Satellite Show

FUNDRAISER in the Civic Art Bureau Window for M16’s 40th anniversaryBUY A RAFFLE TICKET TO WIN!Opening: Saturday 2 August 3pm – 5pmRuns: Saturday 2 August – Sunday 17 August 2025 Artworks 1st Prize – Lynne Flemons, Meander, 2025, Acrylic on Canvas, 120×180 cm. (Valued $4,000) Image Brenton McGeachie 2nd Prize – Savanhdary Voongpoothorn, Timbre III, 2005, Intaglio, plate-mark 34.7 h x 29.4 w cm, sheet 61.2 h x 46 w cm. (Valued $2,500) Image Brenton McGeachie 3rd Prize – Nick Offer, Dead Tree, 2024, Oil on aluminium composite board, 41 x 60cm. (Valued $1,600) Image courtesy of the artist 4th Prize – Madeline Cardone, Slick, 2025, Kiln formed glass, 230 x 250 x 30mm. (Valued $1,500) Image Brenton McGeachie 1st Prize: Lynne Flemons, Meander, 2025, Acrylic M16 x CAB 40th Anniversary Satellite Show

Jackson Taylor: I remember this

NOW SHOWING in the Civic Art Bureau window Two paintings by Jackson Taylor. Enquiries info@civicartbureau.com I didn’t know they closed, 2025Acrylic and ink on Canvas. 91 x 91 cm. $900 This painting investigates the disorienting discovery of a beloved local restaurant’s closure through faux-naive figurative painting. Using distorted proportions and bold colours, the work transforms Jackson Taylor: I remember this

Lizzie Hall: The Lost Sea/Boat for Charon

Lizzie Hall The Lost Sea/Boat for Charon (diptych 2), 2025oil, oxide on linen, 116 x 186cm$3800 Showing in the Civic Art Bureau window gallery, June-July 2025. Exhibited in Lizzie Hall: The Lost Sea at Platform by Canberra Contemporary, 30.5.25 – 8.6.25. Photo by Stephen Best.

Wouter Van de Voorde: OPGELICHT

5.7.25 – 27.7.25 Spookslut Series 1 – 8, 2023, Hand printed RA4 print on expired paper, 8 x 10 inch, $750 each Catalogue and essay by Martyn Jolly [PDF] Wouter Van de Voorde is a Belgian living in Canberra, Australia’s capital city. He navigates the tensions of home, migration, and belonging. Opgelicht is a table of Wouter Van de Voorde: OPGELICHT

Lizzie Hall: THE LOST SEA

Platform by Canberra Contemporary, 19 Furneaux St, Forrest ACT 260330 May – 8 June 2025 Aral Sea, 2001 (Memento Mori), 2023, oil, oxide on linen, 162 x 138cm Aral Sea, 2001 (Memento Mori), 2023, oil, oxide on linen, 162 x 138cm The Lost Sea/Boat for Charon (diptych 2), 2025, oil, oxide on linen, 116 x Lizzie Hall: THE LOST SEA

Alexander Boynes: The edge cannot hold

7.6.25 – 29.6.25Curated by Benjamin Shingles For the month of June, Civic Art Bureau will present a body of new artworks by Canberra artist Alexander Boynes. Boynes’ work explores the environmental and cultural cost of fossil fuel extraction in Australia. Through paintings in vivid, fluorescent colour, they depict tension between natural beauty and industrial violence. Alexander Boynes: The edge cannot hold

Chris Carmody: Fluorescent Array

Opening reception 3pm Saturday 31 May 2025 Showing in the Civic Art Bureau window gallery in June is Chris Carmody’s Fluorescent Array, eight paintings on board from his ongoing preoccupation with the “inconclusive meaning” of the fading in sunlight and wear of found materials. “These paintings are based on faded books I’ve documented in different Chris Carmody: Fluorescent Array

Benny Chop: NEVER PERFECT

3.5.25 – 25.5.25 Ria Tierney, Full chop, 2025 Catalogue (PDF) Benny Chop has well and truly earned his nickname over decades of chopping bicycles, motorcycles and hot rods, tattooing skin, bashing drum skins in bands, cooking tacos and slinging cocktails, and fabrication and installation for Australia’s national museum and gallery collections. NEVER PERFECT is a Benny Chop: NEVER PERFECT

Ruth Waller: SOMEONE ONCE

Ruth WallerSomeone Once (in Gaza and Ukraine), 202416 panels, acrylic on paper (unframed)171 x 120 cm$5000 Showing in the Civic Art Bureau WIndow 16-30 April 2025. Someone Once (in Gaza and Ukraine) was exhibited at Rogue Pop-up Gallery, Sydney, September 2024. Ruth Waller’s series “Someone Once…” was made as an attempt to respond to the Ruth Waller: SOMEONE ONCE

Dionisia Salas: Dream fruit

Dionisia SalesDream fruit, 2024oil on canvas107 x 107 cm$4500 Shown in Exhibition No.1 at Civic Art Bureau, Of Mouth and Mind at Goulburn Regional Art Gallery, and Tender at Ngununggula.

Byrd: NOW HERE: DE-HISTORISATION

[De-historisation] cognitive geography, 2019 [De-Historisation] Value proposition, 2024 [De-historisation] Symbolic communication, 2019 [De-historisation] Algorithmic surfacing, 2024 Reclaimed commercial signage, office supplies, spray paint. each $2000 Dan Maginnity (Byrd) is Canberra’s pre-eminent mural artist. The themes of his work have grown out of his longstanding inquiry into Australiaís natural environment. He splinters and bends contemporary politics, Byrd: NOW HERE: DE-HISTORISATION

Merryn Lloyd: Three

Merryn LloydThree, 2018etching83 x 63 cm$1200 Printed from discarded etching plates on full sheet Hahnemühle 300gsm paper using Charbonnel and Gamblin oil-based intaglio etching inks. Printed at Megalo. Framed.

Lucy Chetcuti: Rain, blood, tears, sap

Lucy ChetcutiRain, blood, tears, sap, 2024oil, graphite, pastel, and wax on poly cotton with aluminium frame30 x 25cm$625 SOLD For sales contact Adam Bell: info@civicartbureau.com or ph 0488 056 988

Stefanie Schulte: Vivaldi’s Seasons, Winter II, Winter Brings Its Own Delights

Stefanie SchulteVivaldi’s Seasons, Winter II, Winter Brings Its Own Delights, 2022 acrylic on canvas76.2 x 121.9 cm$1250 Exhibited in Group Show “Volume Up – Artists Responding to Music and Sound”, curated by Monica King, The Painting Center, Manhattan, New York, USA, 2023. All titles of the series “Vivaldi’s Seasons” are fragments from the sonnets Vivaldi Stefanie Schulte: Vivaldi’s Seasons, Winter II, Winter Brings Its Own Delights

Stefanie Schulte: Who Loves The Sun? 

Stefanie Schulte Who Loves The Sun?, 2024 acrylic on canvas50.4 x 76.2 cm$1250 For sales contact Adam Bell: info@civicartbureau.com or ph 0488 056 988

Stefanie Schulte: Canta y No Llores 

Stefanie Schulte Canta y No Llores, 2024 acrylic on canvas50.4 x 76.2 cm$1250 For sales contact Adam Bell: info@civicartbureau.com or ph 0488 056 988

Stefanie Schulte: Tequila Sunrise 

Stefanie SchulteTequila Sunrise, 2024 acrylic on canvas50.4 x 76.2 cm$1600 For sales contact Adam Bell: info@civicartbureau.com or ph 0488 056 988

Stefanie Schulte: A Pale reflection

Stefanie SchulteA Pale reflection, 2021 acrylic on canvas50.4 x 76.2 cm$1600 For sales contact Adam Bell: info@civicartbureau.com or ph 0488 056 988

Ruth Waller: Nightshift

Ruth WallerNightshift, 2020acrylic on hessian and linen77 x 54 cm$3200 For sales contact Adam Bell: info@civicartbureau.com or ph 0488 056 988

Ruth Waller: Dirty Jazz

Ruth WallerDirty Jazz, 2020acrylic on hessian and canvas45.5 x 36 cm$2500 For sales contact Adam Bell: info@civicartbureau.com or 0488 056 988

Kate Stevens: Afternoon Scene

Kate StevensAfternoon Scene, 2024oil on canvas45 x 120cm (two panels)$4800 SOLD For sales contact Adam Bell: info@civicartbureau.com or ph 0488 056 988

Hilary Wardaugh: A Meditation of Death

Hilary WardaughA meditation of death, 2024digital print on photo rag paper, 81 x 142 cm$2000 SOLD – proceeds to UNICEF Hilary Wardaugh’s photographic work A Meditation of death draws from Maranasati meditation, confronting mortality and violence suffered by the Palestinian people. Through meticulous stencil work and lumen prints, it challenges war’s false resolutions and the Hilary Wardaugh: A Meditation of Death

Jonas Balsaitis: #LIVEWIRE

26.03.25 – 30.03.25 Jonas Balsaitis, #LIVEWIRE, 1999synthetic polymer paint on canvas, 143 x 173 cm OPENING Friday 28 March, 6pm  Catalogue of works #LIVEWIRE is a satellite exhibition of paintings by Jonas Balsaitis from the 1990s, including his series of Palette Paintings (1994), some electrifying-outtakes from the Drill Hall Gallery Analogue exhibition, and the screening of Balsaitis’s film Erratica (1982, M15+) on Jonas Balsaitis: #LIVEWIRE

Lucie Thorne: LAND AND LANGUAGE

4.4.25 – 20.4.25 LAND AND LANGUAGE catalogue [pdf] Over the past 25 years, Tasmanian born, Melbourne-based artist and producer Lucie Thorne has made a lot of music; writing and releasing over a dozen albums and touring prodigiously across Australia, Europe and North America. She’s been lauded for writing “some of the most beautiful songs you Lucie Thorne: LAND AND LANGUAGE

ELEGY: Lizzie Hall and Kate Stevens

22.2.25 – 22.3.25 Elegy is a response to personal and collective grief made by two artists whose works are in conversation with each other in a way that reflects their daily conversations on paint and life. Lizzie Hall’s paintings are of the Aral Sea, now a desert because of Soviet mismanagement. Her late father worked ELEGY: Lizzie Hall and Kate Stevens

MATT GREEN: Flip Out

Civic Art Bureau is thrilled to present Flip Out an Exhibition of Skateboard Art by Matt Green in the Art Bureau Window, co-inciding with Belco Bowl Jam, Feb 14-16 2025. Matt Green is a Geelong born Melbourne based artist, painter, skateboarder and musician. Matt has been commissioned to do many album covers and band posters MATT GREEN: Flip Out

UNHNGED: Richard Larter & Peter Maloney

UNTIL 14.12.24 Curated By Mark Bayly The UNHINGED project opens a conversation dealing with aspects of the close personal and working relationship between two of the Canberra region’s most senior artists, Richard Larter and Peter Maloney. In doing so, the exhibition examines each artist’s relationship with individual models in serial fashion. Larter became a close UNHNGED: Richard Larter & Peter Maloney

Exhibition no.1

5.10.24 – 26.10.24 Eleven distinguished artists working in and around Canberra: Download catalogue [PDF] Selected by Adam Bell and Dionisia Salas.Installed by Drew Halyday and Benny Chop.Wine by MADA.Installation photos by David Hempenstall. Installation: Dionisia Salas, Lucy Chetcuit, Vivienne Binns. Installation: Vivienne Binns, Emma Beer, Liz Coats, Merryn Lloyd. Installation: Dionisia Salas, Lucy Chetcuti, Vivienne Exhibition no.1

FUTILE FUTURES

Detail of Ella Barlay’s installation Quiet Serfing at Futile Futures. On Tuesday 15 October, 2024 CIVIC ART BUREAU presented FUTILE FUTURES, an art social during NFSA Fantastic Futures conference. Futile Futures offered a counterpoint to the notion of a fantastic future for art, aesthetics and ideas by exploring the crappy, absurd and abject dimensions of intelligent machines FUTILE FUTURES